Thursday, May 5, 2011

Ruined

   The great thing about Ruined is that there is a posibility for it to be interpreted a couple different ways. Being the director for this mock production of Ruined, I interpret the meaning of the literal soldiers in the original story, could have the possibility have the meaning harsh business men on Wall Street who only see women as objects. The women in the story are prostitutes who just want to make a living on the street of New York City, but are being taken advantage of by the business men working on Wall Street. This "war" that the men are fighting is the "cutthroat" life they have chosen to lead but the mens anger and frustration, the women feel it in their own bodies.

 We can't have a play without an actual location for the play. Also, we want the location to possibly display the overall darkness of the play, to give audience a true feeling of the show in which they are coming to see. We want a traditional space with just the front of the stage as a focal point for the audience and the director wants to have a "rotating set" in which he wants the seperate scene to be on a track and to be able to rotate them as story moves along.


     Since the director is wanting to have a grand production of Ruined, placed in the style New York, what better place to have this production than the historic Hudson Theatre. Because the director was wanting a traditional type theatre, this was the top pick to house he had for his vision of this production. Now this may seem like a bit of white noise, having a new york style play in New York but, the costumes is what really sets Ruined from any of these thoughts.  


 The set design for this production will be two main locations. Showing how the two main locations in which most all the sequences in the story occur. Since the director has New York City to be the back drop of the production, we have to do some hunt and find locations, therefore  we know how we want the set to appear to the audience. Since Ruined is potrayed as being a very dark play, part of the director vision for the play is to the surroundings of the set to be as close to the original production as possible.

      For Mama Nadda's house in which she houses the "ruined" girls, if we are to translate the location into that of New York City, we most definitely be going with an alley way, with a door and one light to that there this the entrance to whorehouse. The director chose this location because a house that involves this type of ladies, probably wouldn't want to be on the main street. They would want to be hidden to therefore show the fact that they are ashamed of this tragic thing that has been done to them by the men of this "cutthroat business." So both the director and the set director both agreed that this alleyway would be a good, sort of the beaten path scene for the house.


     The director and the set designer also had another idea for a set design. The director that a bar would be good place to show in the production. He thought this possibly a place for Fortune to come looking Salima, the director thinks this a good place for any action to take place, what better place to have it then in a bar. 


      This is a reprensentation of how the costumes for how the "soldiers" will look like, as approved by the director. Now, the men in the production will not scorned faces as to make them look the have been in a fire, but notice how the suit gives the appearance of being burned. That's what was decided on the costume designer and then approved. The director thinks that having this effect to the mens costumes will have a frightening affect on the viewing audience to show just how cruel, dangerous and vicious these men can be. Not just in their business lives, but this will also show their carried anger and frustration which unfortunately becomes how they treat the girls in the play.




      For the girls costumes, the director wanted to be as true the story as possible. The book portrays the ladies as being as conservative as much as they could and they were found, so below are just a couple of options for the ladies in the play.Such as the actor who plays Sophie, we probably choose the yellow sundress, which is included in the pictures below and for Mama, the director would probably put her in the dress on top, just to show her as an example for the girls.
                                   

                         




Sources: Google images

Monday, April 18, 2011

Tomato-Plant Girl

    
      Recently, the writer went to go see the student production of Tomato-Plant Girl, which was put on by the theatre department of DSC. Which was a whimsical play about a plant-loving girl who's best friend is bossy, snobby best friend who is always  bossing the one girl around, Booknose. However, while the bossy girl is away, one of the plants actually turns a real-life girl. As we all, there is no show without an audience and a designated time and place. The audience members are the main people you have to impress, they are what makes the show a show.

     The audience demographic for this production was very mixed I thought. Reason behind this thought is because there was a very broad amount of age groups present at the production. They ranged from elderly couples even all the way down to very young children, around the age of 2 or 3. Which, in retrospect, made sense because this was a far cry from Shakespeare's work. It was still a very cute play. The theatre space was set up with three different types of angle options, one in front and on both sides, so this gave the audience more of choice in how they wished to view the play. Which gave the a different perspective in viewing the play.

                                                                                                             

     Also, it was interesting to the writer was how the audience behaved once they were presented with actor. On one hand they seemed to respond quite well to the bossy best-friend. Who by surprise, her personification seemed to be portrayed very well, because most of the audience seemed to find humor in her facial expressions and body language, because when the best friend would boss around Booknose, you can tell she is doing right, because the audience caught on very quickly.



     When it came to Booknose, the writer felt that overall feeling for her was sympathetic, due to the way she was being by her supposed "best friend". So they felt sorry for her, but all that seemed to change once Tomato-plant Girl came into the picture. The writer as well as the rest of the audience started to see her quiet persona change and she began to be able tell her best-friend "no!" and stick up for herself. This was the point when the writer felt the audience began to say in their minds, "You go Booknose!"                              


     Finally, the writer thought the overall audience experience for the night was meant to be a trip into the life of a plant loving smart girl who was held captive by bossy best friend, who was only to play the way she wanted to play. The feeling that the writer left the theatre was one of joy and triumph. The play had a happy ending because the best friend was put into her place and Booknose got her backbone at the end. The main idea the writer hopes the audience left the theatre and the lesson that was brought forth through the play was that, any bully can be dealt with you just have the confidence in yourself to stand-up and just say no to their bullying.
                                              

     

   

    

Thursday, March 31, 2011

The Birth of Improv

Improvesation, is the finest path in comedy in my opinion. Reason being is because you have to be very attentive and always be thinking in creative humorous ways. Thinking and connecting parts of story together to create something funny and ironic. This way of comedic direction became popular by the conception of Commedia dell'arte. To be more precise, it began in the european nation of Italy. Commedia dell'arte literally means Comedy of Art or Comedy of the Proffessional. In those days, the plays were already mapped out, and chosen how they were going to begin and end. Each plays had their own set of characters, relationships decided upon, and each characters circumstance was already preconcieved before the actors performed this play on the stage.


To explain what you are viewing this picture, are four commedia actors, performing part of their play on stage. As you can there was plenty of music, to give the actors something to dance to. Also, even though this is a painting, this is a representation of how the actors dressed and the masks wore. They wore bright colors to draw attention to themselves.

                         



In comedic acts, we have truly expanded on the ideas set beforehand by the great minds of Commedia Dell'Arte what it was in the days of olde. We have taken the comedic genius of those days and it has been transformed over the years into 21st century humor and NBC has even created and entire show around those traditions; the show called Saturday Night Live. Most of the people that take part in this show are taking part in performance tradition that has been around for centuries. Comedy actor and me as well, appreciate the creation of Commedia dell'Arte.



That's a wrap!
                                       

Sources:

Bellinger, Martha F. A Short History of Drama. New York: Henry and Holt, 1927. TheatreHistory.com. 2002. Web. 05 Apr. 2011. http://www.theatrehistory.com/italian/commedia_dell_arte_001.html.
 
http://www.lightwire.com.au/, Lightwire. "YouTube - Commedia Dell'Arte Production 'Cafe Floriani' - Www.lightwire.com.au." YouTube - Broadcast Yourself. 9 Dec. 2006. Web. 05 Apr. 2011. <http://www.youtube.com/watch?v=95EzlJDaPZo>.
  

Adam. "Google Images." Google. Clownlink.com, 19 Feb. 2010. Web. 05 Apr. 2011. <http://www.google.com/images?hl=en>.
                                                                

Tuesday, March 8, 2011

The Ability of Mime

       Miming in today's society is, "O look there is a guy with  white paint on his face, dressed like he's about to go jail." Although, there is a lot more involved in this historic art form. The first record of miming happened in 467 B.C. when a chorus was performing in Greece and one of the choir members stepped out of formation to stand alone, but he was acting out what the choir was singing about. The choir member was Telestes, who was a legendary dancer, gave miming it's beginning, early on in history.



        What you are seeing in this picture, is a close representation of how choirs in this time period might have dressed. Also, it could be a good indication of what Telestes might have been wearing when he pulled away from the other performers to give birth to the art of mime.  This could have been where the convention of the painted face came from.

       Pantomime or mime? That is the question. What is the main difference between the two? Pantomime performers, wear a mask, instead of face paint like mime performers. They are limited as far expressing emotions like happy or sad, the only way they can show emotion is through the use of their hands. Mimes on the other hand, (no pun intended) have the use of their entire body, especially their face because they emphasize the expressions happy or sad with the use of paint. 




       The performer on the left is an example of how a pantomime dresses . Notice the mask, hiding the expression of his face and showing only the expression of the mask. Then look at his hands, they are a bright red color, drawing attention immediately to his hands, letting you know where to look when they are showing emotion. Then to the immediate right, there is a mime. Opposite in most ways, notice how he is wear a bright white drawing attention to his entire body, because he is able to use his entire upper body to show emotion
including his face.





        This a perfect example of how a mime works. They mimic other peoples action and they interact with objects that are not there. This video is funny because he is so expressive in his emotions that you can't help but laugh.










 Sources

Thicknesse, Robert. "Ancient Greece Choirs - Google Search." Google. Guardian News and Media Limited, 7 July 2006. Web. 08 Mar. 2011. <http://www.google.com/images?um=1&hl=en&biw=1280&bih=829&tbs=isch:1&sa=1&q=ancient greece choirs&btnG=Search&aq=f&aqi=&aql=&oq=>.

Lust, Annette. "The World of Mime Theatre * Library * History of Mime." The World of Mime Theatre. 1 Jan. 2003. Web. 08 Mar. 2011. <http://www.mime.info/history-lust.html>.

"The Art Of Mime And Pantomime." Wise Dude - He's Got the Answers to Your Questions. Google, 2006. Web. 08 Mar. 2011. <http://www.wisedude.com/art_music/mime.htm>.

"YouTube - Old School Mime." YouTube - Broadcast Yourself. Pelleaskagain. Web. 08 Mar. 2011. <http://www.youtube.com/watch?v=ZtPMFbottnk>.

Tuesday, March 1, 2011

Improvisation - at it's finest ..

       The world of comedy is a world of many opportunities for success, there are movies, to stand-up comedians, all the way to even puppetry. However, there is a form of comedy that is the freshest and most out there, called improvisation. Improvisation, is at it's best when there is a group of improveteers, all working with one another to create something that is meant to be very humorous, since improv, was born out Commedia Della Arte, it had no choice but to be funny.


       Luckily, you don't have to go that far to see this hilarious improv, there is a place in Orlando called the SAK Comedy Club where all they do is this kind of comedy.

To explain what you are seeing in this picture, the number in the gentlemen's hands apply to game that is a staple in the evening show of Sak Comedy Club. This show is called "Lab Rats" and it is a "competition based" show where there are two teams of 3 or 4 members and they act out different scenario's that are selected by the host or my personal favorite, the audience. The performance of the two teams is rated on a scale of 1-5 by the audience, and which ever team has the highest score at the end of the show wins!

   Another great thing about this show is that it incorporates, real true life people; people you know, people you may see at work, or somebody you see at church, anybody can be in Sak. You just have to have a desire for making people laugh and have fun with them, that's what makes the show tick; their ability to interact with the audience and have fun with them.

Here's a review from an actual spectator of one of the shows at Sak Comedy Club:
 "I’ve lived in Orlando for nearly five years now and I am ashamed to say that, until recently, I’d never experienced SAK Comedy Lab. All that changed last weekend when I finally visited SAK in their new downtown location at the City Arts Factory. Talk about funny… I laughed so hard, I nearly peed my pants.The most popular show, and the one I attended, is called Duel of Fools. Two teams of three improvisers face off by creating hilarious skits they create on the spot, right off the tops of their heads. The result is an off-the-wall performance that’s somewhere between zany and genius. The skits, which often utilize audience participation, are given a score of 1 to 5 by three volunteer audience judges. At the end of each show, one team is crowned the winner.

Besides being ‘laugh out loud’ funny, two more things make the SAK experience top notch: 1) all acts are super clean, in fact, teams that get too raunchy lose points. This means that you can bring your kids to the show without having to worry about covering their ears."


http://www.youtube.com/embed/hk0bR9t6Bvo

     To explain, this was a video of one of the skits they perform at Sak, where they poll the audience for ideas, so this audience came up the idea of an illiterate boy who love to play baseball. The video unfortunately started in the middle but it was still funny!
         

     I haven't had much exposure to improv, but I would definitely see this show again and again! 











  Sources:

           
"YouTube - SAK Comedy Lab May 31st,2008." YouTube - Broadcast Yourself. 31 May 2008. Web. 01 Mar. 2011. <http://www.youtube.com/watch?v=hk0bR9t6Bvo&feature=rec-LGOUT-exp_fresh div-1r-3-HM>.


Manieri, Kirsten. "Orlando’s SAK Comedy Lab | Orlando | NileGuide." Weblog post. Free Trip Planner and Personalized Travel Guide | NileGuide. Nile Guide, 3 Nov. 2010. Web. 01 Mar. 2011. http://www.nileguide.com/destination/blog/orlando/2010/11/03/orlandos-sak-comedy-lab/.


"Sak Comedy Lab - Google Search." Google. Microsoft. Web. 01 Mar. 2011. <http://www.google.com/images?hl=en&source=imghp&biw=1224&bih=717&q=sak comedy lab&gbv=2&aq=0&aqi=g1&aql=&oq=Sak Comedy>.